FUNKO POP BLUE LANTERN FLASH MOVIE

They are set dressing, a frame to make people go, 'Hey, look at that,' and nothing else. Aside from Keaton and his place in the story, the rest of the big secrets that The Flash is hiding are the worst kind of cameos and easter eggs because they mean nothing. Even in Doctor Strange in the Multiverse of Madness, the Illuminati didn't do that much, but at least Wanda got to kill them in interesting and gruesome ways. We saw Toby Maguire Peter finally truly forgive Norman, and we saw Andrew Garfield save MJ to forgive himself for failing to save Gwen. The different villains and the two Peter's in Spider-Man: No Way Home had places in the plot and were extremely involved in the final battle. When it comes to shameless fanboy pandering, there are good ways and bad ways to go about doing it. Sasha Calle is doing the best she can with the crumbs the script gives her, and if there is any justice in the world, she'll get the opportunity to play the character again. The trailers have overblown Kara's place in the story, and she really only comes into play in the third act. Bruce, and to an extent Kara as well, are barely characters in their own rights.

Bruce is here as another example of 'look how different this world is,' shameless fanboy pandering, and an extended metaphor involving Italian food. However, if you want to see a darker and more depressed version of this character, Birdman already exists, and this doesn't add much. Keaton, at times, seems like he'd rather be anywhere else, while at other times, he does seem engaged.

FUNKO POP BLUE LANTERN FLASH MOVIE

There has been a running joke from almost the moment the first footage of The Flash dropped that this wasn't a Flash movie but a Batman movie, and the script is leaning extremely heavily on Michael Keaton and his version of Bruce Wayne making an appearance in the plot. Pictures' action adventure 'THE FLASH,' a Warner Bros. (L-R) EZRA MILLER as The Flash, MICHAEL KEATON as Batman, and EZRA MILLER as The Flash in Warner Bros. The pacing grinds to a halt because time travel is complicated, and if that means taking an extended scene with three completely useless characters to very slowly tell one of the ways Barry has broken the universe? Then we're going to watch minutes of that scene with no reprieve. There are whole scenes in this film that are just Miller acting opposite of themself and explaining the plot so we understand what is happening. For some reason, the production told Miller to have their younger version of Barry do this obnoxious laugh that is grating the first time you hear it and like nails on a chalkboard the tenth. The thing is, this version of Barry isn't charming, but instead annoying, and he only gets more annoying when we see the younger version of him. So, they decided to have those exposition dumps carried by Barry explaining to a younger version of himself what was happening. The film has to explain a lot about the rules of time travel and what powers this version of Barry has. It also isn't surprising that a film that has been kicking around this long is a complete mess at the end of the day.įrom a structure and pacing standpoint, The Flash is all over the place. So, to say that a lot was going on with this movie before it even made it to theaters would be the understatement of the century. This baggage was already hanging on this movie's shoulders before star Ezra Miller first allegedly choked a fan in a bar in April 2020, and things only got worse from there. Since then, it has had nearly half a dozen different directors, gone through multiple owners at Warner Bros., at least a couple of page-one rewrites, and numerous COVID delays.

The Flash went into production in 2014, which means it has been in development in some form for nearly a decade. Summary: Barry Allen uses his super speed to change the past, but his attempt to save his family creates a world without superheroes, forcing him to race for his life in order to save the future.

Funko pop blue lantern flash